During the last week, I experimented with the same collection of colourways on the Riso to create my perfect copy of my Not just a Seat photograph. I added colour swatches to each iteration as a noticeable element to easily differentiate them from each other.
I presented my outcome in the form of cleanly cut prints, but after receiving feedback I realised a gif would be a better representation of my process since I had over 70 iterations.
Once I acknowledged Riso’s technicalities, I realised how much space there is to experiment and be playful with the process. Every print has a slightly different finish, capturing layers of textures and colours. I was keen to see how my practice would translate into this medium. It was gratifying to see how the unpredictable organic nature of the Riso complemented my creative process. Its unique tactile nature challenged the possibilities of print. Moving forward, I would like to incorporate Riso into my practice and use it as a guiding tool to elevate my work.